{"id":185,"date":"2015-08-31T07:38:25","date_gmt":"2015-08-31T07:38:25","guid":{"rendered":"http:\/\/www.markus-stauss.ch\/?page_id=185&#038;lang=en"},"modified":"2015-11-07T14:59:00","modified_gmt":"2015-11-07T14:59:00","slug":"concepts","status":"publish","type":"page","link":"https:\/\/www.markus-stauss.ch\/en\/concepts\/","title":{"rendered":"Concepts"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb\">\n.flex_column.av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb av_one_full  avia-builder-el-0  el_before_av_one_third  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>A. Markus Stauss&#8217; musical pedigree and affinities<\/strong><br \/>\nAlbert Ayler, John Coltrane, Pharao Sanders, Gato Barbieri, der junge Jan Garbarek (alle ts); Jimmy Lyons (as), Wolfgang Dauner (p), G\u00fcnther Hampel (vib, bcl); Miles Davis, Frank Zappa, Jimi Hendrix; The Art Ensemble of Chicago, Doors, King Crimson, * Tony Williams, * Jack Bruce<\/p>\n<p><strong>B. Markus Stauss&#8217; musical Concepts<\/strong><br \/>\nMarkus Stauss commented the basis of his musical writing and playing, as well the conceptuality of his playing concepts on May 13, 1997 in a discussion with this author (The recording and Stauss&#8217; explicative graphs are kept in the archive).<\/p>\n<p><strong>I.\u00a0The parameters of his music he organises as follows:<\/strong><\/p>\n<p><a href=\"https:\/\/www.markus-stauss.ch\/wp-content\/uploads\/2015\/09\/Grafik-1-Konzepte.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-501\" src=\"https:\/\/www.markus-stauss.ch\/wp-content\/uploads\/2015\/09\/Grafik-1-Konzepte.jpg\" alt=\"Grafik 1 Konzepte\" width=\"450\" height=\"204\" srcset=\"https:\/\/www.markus-stauss.ch\/wp-content\/uploads\/2015\/09\/Grafik-1-Konzepte.jpg 450w, https:\/\/www.markus-stauss.ch\/wp-content\/uploads\/2015\/09\/Grafik-1-Konzepte-300x136.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<p>In this graph the horizontals and the verticals are to be understood as a two-shell spheres or concentric rings with their axes in different angles, able to rotate independently, being in movement or fixed. Stauss calls this model the &#8220;time and (re)production sphere&#8221;.<\/p>\n<p><strong>II. The constituting three colons of his music are:<\/strong><\/p>\n<p>A) Sound \/ tone colour of different quality and the related subjective perceptions<\/p>\n<p>B) textures \/ patterns \/ stratum overlays (stratifications). They occur during:<\/p>\n<p>a \u2013 composing<br \/>\nb \u2013 improvisation<br \/>\nc \u2013 their interaction<br \/>\nd \u2013 dissociation, produced by diverging playing instructions<\/p>\n<p>C) Energies in different states of matter, changes of these states, the emergence of new energies just because of these changes<\/p>\n<\/div><\/section><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_third-352b07ef7d3bc99b2e9f92e7a9e06bdb\">\n.flex_column.av-av_one_third-352b07ef7d3bc99b2e9f92e7a9e06bdb{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_third-352b07ef7d3bc99b2e9f92e7a9e06bdb av_one_third  avia-builder-el-2  el_after_av_one_full  el_before_av_one_third  first flex_column_div av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-9516392aef0c103aab863575f21f9c3b\">\n.avia-image-container.av-av_image-9516392aef0c103aab863575f21f9c3b img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-9516392aef0c103aab863575f21f9c3b .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-9516392aef0c103aab863575f21f9c3b av-styling- avia-align-center  avia-builder-el-3  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img fetchpriority=\"high\" class='wp-image-593 avia-img-lazy-loading-not-593 avia_image ' src='https:\/\/www.markus-stauss.ch\/wp-content\/uploads\/2015\/08\/konzept01.jpg' alt='' title='konzept01'  height=\"236\" width=\"155\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_third-2a64de42b738552fe666ca889af77e28\">\n.flex_column.av-av_one_third-2a64de42b738552fe666ca889af77e28{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_third-2a64de42b738552fe666ca889af77e28 av_one_third  avia-builder-el-4  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-9b23a08510882011f48b50c91b228e59\">\n.avia-image-container.av-av_image-9b23a08510882011f48b50c91b228e59 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-9b23a08510882011f48b50c91b228e59 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-9b23a08510882011f48b50c91b228e59 av-styling- avia-align-center  avia-builder-el-5  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img fetchpriority=\"high\" class='wp-image-594 avia-img-lazy-loading-not-594 avia_image ' src='https:\/\/www.markus-stauss.ch\/wp-content\/uploads\/2015\/08\/konzept02.jpg' alt='' title='konzept02'  height=\"236\" width=\"155\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_third-2a64de42b738552fe666ca889af77e28\">\n.flex_column.av-av_one_third-2a64de42b738552fe666ca889af77e28{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_third-2a64de42b738552fe666ca889af77e28 av_one_third  avia-builder-el-6  el_after_av_one_third  el_before_av_one_full  flex_column_div av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-4819429ce20930c41ce5dd5039d87581\">\n.avia-image-container.av-av_image-4819429ce20930c41ce5dd5039d87581 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-4819429ce20930c41ce5dd5039d87581 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-4819429ce20930c41ce5dd5039d87581 av-styling- avia-align-center  avia-builder-el-7  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img fetchpriority=\"high\" class='wp-image-595 avia-img-lazy-loading-not-595 avia_image ' src='https:\/\/www.markus-stauss.ch\/wp-content\/uploads\/2015\/08\/konzept03.jpg' alt='' title='konzept03'  height=\"236\" width=\"155\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb\">\n.flex_column.av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb av_one_full  avia-builder-el-8  el_after_av_one_third  el_before_av_hr  first flex_column_div av-zero-column-padding  column-top-margin'     ><section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>III. Conflicting pairs\/contrast create fields of tension, in\/on which music happens:<br \/>\n<\/strong>1. long musical development \u2013 harsh changes<br \/>\n2. communicating improvisation \u2013 improvisation according to differing concepts<br \/>\n3. elaborate and very precisely reproduced compositions \u2013 rough and raw and occasionally somewhat inaccurate interpretations of written material<br \/>\n4. lyric, romantic, sophisticated interpretation \u2013 brute force<\/p>\n<p><strong>IV. Musical constellations<\/strong><br \/>\nThe concepts I to III allow for different possibilities of playing.<br \/>\nThe three colons, the constituents (three legged chairs don&#8217;t totter) of Stauss&#8217; music carry the play and tension field, on which the musician can take up positions. From above the sun, a double sphere, the &#8220;time and (re)production sphere&#8221;, radiates on these different positions and delivers energy, different positions become differently radiated. There&#8217;s a choice to be made from among these different positions, from where the above floating sphere to observe.<\/p>\n<p><strong>V. What are the consequences?<\/strong><br \/>\n(citation) My interest in positions, alterations, changes and new light make questions about and attributions to style irrelevant. The often used expression &#8220;stylistic crossover&#8221; relates to positions who explicitly belong to a style, the change in position is perceived as a change in style; stylistic featuring is happening in the listeners head, they are listening habitudes.<\/p>\n<p>Standardised pairs are dissolved (free pulse &lt; &#8212; &gt; free improvisations \/ compositions &lt; &#8212; &gt; Groove, etc. ).<\/p>\n<p>The topic is to be illuminated in relation to colour + energy + patterns. It&#8217;s not only to be used as a fix point or for recognition.<\/p>\n<p>Process and structure of playing and writing are researched and questioned permanently. An example:<\/p>\n<p>Are precise tempi equal to groove ?<br \/>\nOn what does improvisation orient itself ?<\/p>\n<p>&#8220;Anything goes&#8221; is not possible.<\/p>\n<p>Markus Stauss, CH-Basel<\/p>\n<div><\/div>\n<\/div><\/section><\/div>\n<div  class='hr av-av_hr-45f931f05f5898fdc250bd31b51b694c hr-default  avia-builder-el-10  el_after_av_one_full  el_before_av_one_full '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb\">\n.flex_column.av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_full-352b07ef7d3bc99b2e9f92e7a9e06bdb av_one_full  avia-builder-el-11  el_after_av_hr  avia-builder-el-last  first flex_column_div av-zero-column-padding  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_textblock-eb32bbd6321be4e6c172162327c69628\">\n#top .av_textblock_section.av-av_textblock-eb32bbd6321be4e6c172162327c69628 .avia_textblock{\nfont-size:11px;\n}\n<\/style>\n<section  class='av_textblock_section av-av_textblock-eb32bbd6321be4e6c172162327c69628 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span class=\"small\">Hans &#8211; Christoph von Imhoff, Fribourg &amp; Vicosoprano, author of the above text: original title &#8220;Markus Stauss \u00fcber Musik und Anderes&#8221;<\/span><span class=\"small\">\u00a003.1997.<br \/>\nUp dates<\/span><span class=\"small\">:<\/span><span class=\"small\">\u00a006.2003 und 02.2006<br \/>\n07.2009: Up dates by MS with a view to a revised version, * which is suddenly no longer necessary<\/span><\/p>\n<p>* Up dates by MS, October 2015<\/p>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-185","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Concepts Markus Stauss<\/title>\n<meta name=\"description\" content=\"Markus Stauss` musical concepts explained in detail: Protocol of the audio recording of March 1997, incl. updates in the archives of H.C. von Imhoff.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.markus-stauss.ch\/en\/concepts\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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